2017
2017-05-24
10.17192/meta.2017.8.6542
urn:nbn:de:hebis:04-0003-2017-190-65426
keine Angabe
Coloring Outside the Lines of the Nation. An Iconological Analysis of the Tunisian Revolution
The Tunisian revolution not only liberated the country of its tenacious autocratic ruler, it also impacted, in a profound way, the imagination of prevailing political subjectivities. After Ben Ali fled the country, unsettled post-colonial tensions over the delineation of these changing subjectivities re-emerged, coloring outside the lines of the nation. The present paper analyzes this contentious process of becoming through an iconological analysis of the entangled dynamics of re-imagination that the national flag underwent during the Tunisian revolution, starting from the liberation phase in December 2010, through the constitutional phase and the promulgation of the new constitution in 2014, until the inauguration of the National Flag Square in March 2017. The present iconological analysis is not only paradoxically witness to the very limitation of the power of icons to engender dignified relationalities within a given nation, but is also witness to the slow closure of the revolutionary space and the gradual blockage of revolutionary processes of subject formation. This blockage was productive for the precarious restoration of national unity and state prestige necessary for the completion of the new constitution, but less for the demands for liberty, social justice and dignity so central to the revolution.
article
2018-01-31
https://journals.uni-marburg.de/0003/2017/190/6542/6542.png
Joachim
Ben Yakoub
Ben Yakoub, Joachim
Coloring Outside the Lines of the Nation. An Iconological Analysis of the Tunisian Revolution
English
2017-05-24
https://doi.org/10.17192/meta.2017.8.190
urn:nbn:de:hebis:04-0003-2017-1909
https://journals.uni-marburg.de/0003/2017/190/cover.png
2017
Vol 8 (2017)
2196-629X
2013
Center for Near and Middle Eastern Studies (CNMS)
Middle East - Topics + Arguments
Periodical
General history of Asia; Middle East
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Deutschhausstraße 9, 35037 Marburg
Marburg
Philipps-Universität Marburg
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urn:nbn:de:hebis:04-00030
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Iconography
PeriodicalPart
2017
Universitätsbibliothek Marburg
Publikationsserver der Universitätsbibliothek Marburg
https://doi.org/10.17192/meta.2017.8.6542
urn:nbn:de:hebis:04-0003-2017-190-65426
The Tunisian revolution not only liberated the country of its tenacious autocratic ruler, it also impacted, in a profound way, the imagination of prevailing political subjectivities. After Ben Ali fled the country, unsettled post-colonial tensions over the delineation of these changing subjectivities re-emerged, coloring outside the lines of the nation. The present paper analyzes this contentious process of becoming through an iconological analysis of the entangled dynamics of re-imagination that the national flag underwent during the Tunisian revolution, starting from the liberation phase in December 2010, through the constitutional phase and the promulgation of the new constitution in 2014, until the inauguration of the National Flag Square in March 2017. The present iconological analysis is not only paradoxically witness to the very limitation of the power of icons to engender dignified relationalities within a given nation, but is also witness to the slow closure of the revolutionary space and the gradual blockage of revolutionary processes of subject formation. This blockage was productive for the precarious restoration of national unity and state prestige necessary for the completion of the new constitution, but less for the demands for liberty, social justice and dignity so central to the revolution.
2017-05-24
2017-05-24
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