2024
2024-09-05
10.17192/regiolingua.2024.1.1.8739
urn:nbn:de:hebis:04-0010-2024-324-87390
keine Angabe
Wöör un Klaarheit. Lyrische Mehrsprachigkeit in der neuniederdeutschen Literatur
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Starting with Norbert Johannimloh, authors of Modern Low German poetry have increasingly begun to accompany their works with self-translations into High German since the 1960s. Initially, this was seen as an opportunity to open up regional-language poetry to a wider readership. However, it can be observed that the translations themselves soon became a component of linguistic artistic practice by encouraging a poetic examination of linguistic difference and its functionalisation in lyrical discourse. Thus, the self-translations are no longer to be understood merely as a strategy in the literary business and as supporting texts of the Low German poems, which could be safely neglected in anthological projects. Instead, Low German and High German texts merge on a textual and visual level to form a multilingual and polyphonic lyrical unit. This will be shown using the example of Waltrud Bruhn’s poem Mien Wöör – Meine Wörter ‘my words’ from the poetry collection Windlast from 1987. Beforehand, the types of Low German–High German poetry will be presented and an attempt will be made to categorise them within the spectrum of literary multilingualism.
Selbstübersetzung
multilingual poetry
self-translation
multilingual literature
mehrsprachige Literatur
Modern Low German literature
mehrsprachige Lyrik
neuniederdeutsche Literatur
Selbstübersetzung
2024-09-05
https://journals.uni-marburg.de/0010/2024/324/8739/8739.png
Starting with Norbert Johannimloh, authors of Modern Low German poetry have increasingly begun to accompany their works with self-translations into High German since the 1960s. Initially, this was seen as an opportunity to open up regional-language poetry to a wider readership. However, it can be observed that the translations themselves soon became a component of linguistic artistic practice by encouraging a poetic examination of linguistic difference and its functionalisation in lyrical discourse. Thus, the self-translations are no longer to be understood merely as a strategy in the literary business and as supporting texts of the Low German poems, which could be safely neglected in anthological projects. Instead, Low German and High German texts merge on a textual and visual level to form a multilingual and polyphonic lyrical unit. This will be shown using the example of Waltrud Bruhn’s poem Mien Wöör – Meine Wörter ‘my words’ from the poetry collection Windlast from 1987. Beforehand, the types of Low German–High German poetry will be presented and an attempt will be made to categorise them within the spectrum of literary multilingualism.
multilingual poetry
self-translation
2024
Doreen
Brandt
Brandt, Doreen
German
2024-09-05
application/pdf
multilingual literature
2024-09-05
2024
https://doi.org/10.17192/regiolingua.2024.1.1
1
North German language and literature. From Old Saxon to Masematte
Vol 1 No 1 (2024)
urn:nbn:de:hebis:04-00106
2944-2133
RegioLingua. Zeitschrift für regionale Sprache und Literatur
Deutschhausstraße 9, 35037 Marburg
Marburg
Philipps-Universität Marburg
Periodical
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3196261-0
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urn:nbn:de:hebis:04-0010-2024-3245
PeriodicalPart
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1
2024-09-05
mehrsprachige Literatur
Universitätsbibliothek Marburg
Publikationsserver der Universitätsbibliothek Marburg
Modern Low German literature
Wöör un Klaarheit. Lyrische Mehrsprachigkeit in der neuniederdeutschen Literatur
https://doi.org/10.17192/regiolingua.2024.1.1.8739
article
urn:nbn:de:hebis:04-0010-2024-324-87390
mehrsprachige Lyrik
neuniederdeutsche Literatur
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8449
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