Keepin’ it Real: Arabic Rap and the Re-Creation of Hip Hop’s Founding Myth
In the context of the so called Arab Spring, the role and function of "popular culture" generally, and hip hop specifically, have been scrutinized by a row of scholars and journalists. Connecting the respective cultural practices and products with the founding myth of hip hop as it materialized in t...
I tiakina i:
| I whakaputaina i: | Middle East - Topics & Arguments |
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| Kaituhi matua: | |
| Hōputu: | Artikel (Zeitschrift) |
| Reo: | Ingarihi |
| I whakaputaina: |
Philipps-Universität Marburg
2017
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| Ngā marau: | |
| Urunga tuihono: | Urunga tuihono |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | In the context of the so called Arab Spring, the role and function of "popular culture" generally, and hip hop specifically, have been scrutinized by a row of scholars and journalists. Connecting the respective cultural practices and products with the founding myth of hip hop as it materialized in the USA, Arabic rap is not only able to authenticate its products and performances, but it additionally sustains the relevance of social, political, and economic marginality for these respective cultural practices. This article explores a selection of decisive features of the founding myth of hip hop that are actualized through their representation in the Middle East and North Africa. |
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| DOI: | 10.17192/meta.2017.7.6329 |