No Such Thing as Society? A Critique of Hegemonic Notions of Trauma in the Research on Cultural Production
The notion of trauma is widely used in contemporary research on literature, film, music, and other forms of cultural production in the Arab world. Building on a tradition of trauma studies in the humanities, much of this work is predicated on an essentialist, naturalized notion of trauma as develope...
I tiakina i:
| I whakaputaina i: | Middle East - Topics & Arguments |
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| Kaituhi matua: | |
| Hōputu: | Artikel (Zeitschrift) |
| Reo: | Ingarihi |
| I whakaputaina: |
Philipps-Universität Marburg
2018
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| Ngā marau: | |
| Urunga tuihono: | Urunga tuihono |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | The notion of trauma is widely used in contemporary research on literature, film, music, and other forms of cultural production in the Arab world. Building on a tradition of trauma studies in the humanities, much of this work is predicated on an essentialist, naturalized notion of trauma as developed in the seminal work of the literary scholar Cathy Caruth, among others. In this article I suggest that such a notion of trauma is problematic as it depoliticizes human suffering and marginalizes non-hegemonic ways of dealing with experiences of violence. In order to address these problems, I propose to turn to social constructivist approaches to trauma. |
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| DOI: | 10.17192/meta.2018.11.7790 |